Melissa Major and The Cheshire Unicorn’s “I Feel You” opens with six individuals playing with an imaginary soccer ball and passing it around to each other. They are drowned in their own world, yet connected. They are surrounded by the
Read moreMelissa Major and The Cheshire Unicorn’s “I Feel You” opens with six individuals playing with an imaginary soccer ball and passing it around to each other. They are drowned in their own world, yet connected. They are surrounded by the
Read moreIt was a movie about a play, and now it’s a play about a movie about a play. The transition is surprisingly seamless, and in some ways, “Shakespeare in Love” works better as a play because it situates the audience
Read moreWhen your evening begins with a handsome man in glittering platform shoes ushering you to your seat, you know you’re in for a great time. And that’s what we had at the latest instalment of the Vancouver Men’s Chorus concert
Read moreWith elegant gowns flowing through the reception hall, I found myself tantalized with thoughts of what Cinderella must have felt like at her ball—equal parts of awe and feeling out of place. As a newbie to the Opera domain, I
Read moreThe “River of Light” premiered as part of the 2019 Vancouver Opera Festival. The show included seven movements and featured soloists (opera singers and poetry readers), choir, and orchestra. Each movement was based on a different spiritual text “that describe
Read moreErin Shields’ “Beautiful Man” does more than just flip gender roles. It exposes the absurdity and the downright mental perversity that we succumb to when adhering to these arbitrary roles. You’re probably thinking, I’ve seen many works that show a
Read moreBallet BC’s “Program 3” was a modern emotional ride in the best sense. The first piece, “Bedroom Folk”, brought us inside ourselves. It was like watching the private life of our neighbours. The second show, “Poesia”, was a delicate exploration
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